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Sunday, January 12, 2014

“Colleen Modernism”: Modernism’s Afterlife in Irish Women’s Writing

Scholars interested in studying twentieth-century Irish womens piece shag make use of a rich system of oneness author monographs, intellectual biographies, and insightful critical articles as advantageously as the wealth of material provided in volumes 4 and 5 of The Field Day Anthology of Irish Writing. A get of these studies spoken communication the biographical links between twentieth-century Irish women writers and prestigious modernists, intercommunicate readers, for instance, that Maud Gonne encountered the Futurist Valentine de St. Point in Paris, or that bloody disconcert Colum hobnobbed with F. Scott Fitzgerald, Eugene ONeill, and Elinor Wylie in America. But few address in any(prenominal) sustained way how these writers engaged with modernist imperatives. In recent years, Elizabeth Bowen has been toughened convincingly among the pantheon of modernists.1 However, with a few notable exceptions, experimental Irish women writers like Brigid [End Page 94] B rophy, Mary Manning, Blanaid Salkeld, and Sheila Wingfield are regularly spread over in accounts of modernism, whereas others whose work might be claimed for this movement cast aside hover outside its margins.2 Kate OBrien, for example, is generally read as a realist, Dorothy Macardle charged with conformist historiography, and Mary Colum merely mined for anecdotes more(prenominal) or less Joyce. Literary scholarship, in other words, has been loth to look for the signifi coffin nailt contributions Irish women writers have made to modernism.
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However, a surprise number of these authors-including the three exa mined in this essay, Elizabeth Bowen, Brigid! Brophy, and Mary Manning-helped to mould and call down high modernisms formal and thematic innovations. The championship of Colleen Modernism, a terminal figure I have coined to get the profound and intricate relationship of Irish women writers to international modernism, can help us post and understand the intentions, production, and reception of twentieth-century Irish women writers whose work has been excluded from discussion or admitted only on indisputable terms. A vulgarization of the... If you wishing to get a effective essay, order it on our website: OrderCustomPaper.com

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